Salvia Divinorum Scotland - Language - Gracie's Visible Language

<body stylesrc="../../technical/backgroundforotherauthors.htm" background="../../technical/paperwords.jpg" bgcolor="#FFFFFF" text="#000000" link="#0000FF" vlink="#000080" alink="#800080"> <p align="center"><font size="5" color="#008000">Salvia Divinorum Scotland ~ Language ~ Gracie and Zarkov</font></p> <hr> <blockquote> <p><font color="#000000" size="4"><strong> Visible Language </strong></font></p> <blockquote> <p>The first thing I saw was the 'visible language'! The words, the shapes, the 'music' (the 'music' refers to DMT auditory effects, not music in this reality) and the voices all carried the same message: 'Strong, safe, strong, safe; help, ok, ok, help; safe, safe, alright'! The <a href="http://www.deoxy.org/hooray.htm" target="_blank"> 'elves'<font face="Arial" size="2"><sup>>></sup></font></a> appeared. They sang/I saw/read/felt/heard. They are 'made out' of the visible language. The message is conveyed by the medium itself in several simultaneous sensory modalities. Vision, heard speech, read language, music, song, images and pictures all happen at once, so that the meaning is multi-dimensional. <p>For example, if one were to 'see' a cat in this state it would be communicated in many ways at once: one would see a picture or cartoon of a cat, made out of writhing, colorful strips or segments which are words -- 'cat, cat, cat, pussy, kitty, pussy, meow, tail, ears, cat, cat, kitty...' and the picture would be accompanied by a musical description of the cat (like 'Peter and the Wolf,' only more descriptive and precise) and by voices singing 'cat, cat, kitty, kitty, meow, puss, kittycat...' which would match the text. <p>This time I saw the 'elves' as multidimensional creatures formed by strands of visible language; they were more creaturely than I had ever seen them before. The message was changing from the initial 'ok, ok, safe, safe...' <p>The word changing suggests that this was a time-linear process. I don't think this is the case. I believe that during the trance the whole message and its variations were there at once, from the start. There is a different meaning to time in the DMT state and the notion of linear temporal order that we usually believe is not valid or useful. All the information is always immediately there and the idea of linearity comes from our linear habits of attention and the fact that we do not yet know how to see/hear/perceive several messages simultaneously and consciously, so we string them out for perceptual convenience. <p>The elves were dancing in and out of the multidimensional visible language matrix, 'waving' their 'arms' and 'limbs/hands/fingers?' and 'smiling' or 'laughing,' although I saw no faces as such. The elves were 'telling' me (or I was understanding them to say) that I had seen them before, in early childhood. Memories were flooding back of seeing the elves: they looked just like they do now: ever shifting, folding, multidimensional, multicolored (what colors!), always laughing, weaving/waving, showing me things, showing me the visible language they are created/creatures of, teaching me to speak and read. (Are they are linguistic programs made manifest and personified? This throws an entirely new light on Terence McKenna's remark at Esalen about language being the 'most alien artifact' we have!) <p>Following is a paraphrase of the message content -- all conveyed in the multimedia way described earlier (to emphasize, the entire message was conveyed via 'visible language!') <p>They 'read-protect' their contact with children. 'No-no, bye-bye, uh-uh, don't tell,' is the phrase they used to keep me from remembering or telling the grown-ups. They come to you when you are a child. My younger brother and I saw them when we were very young. They lived under the bed, they played with us, but they only came out when our parents weren't around. They showed us things, they showed us meaning and language. My brother saw them more clearly (perhaps because he was younger) then I did. They taught us words - I read earlier than normal because of their help. <p>When I was frightened or anxious, I would crawl under the bed to where it was safe, because the 'elves' were there. 'Bye-bye, uh-uh, don't tell, we'll be back,' they used to sing. <p>'I've been seeing it all along,' I thought, 'the chrysanthemum pattern is the elves is the visible language is the message.' (however, true visions on DMT, like those on mushrooms, are different from these patterns, they are real, like seeing with 'normal' vision; more like a movie or a very vivid dream than like the pattern/cartoon/visible language.) <p>The personal reality of these creatures seems indisputable during the contact, but that interpretation runs into my normal skepticism when I am out of contact. Is the notion that these are beings merely the obvious interpretation of these phenomena by the human mind? Or is something else going on that we can only understand by interpreting it as an encounter with an alien being? <p>The visible language and the multidimensional nature of the forms seems so clear, but the relationship of these phenomena to me as an individual and to the human race in a species-history sense is less clear. I am always afraid of repeating the errors of misplaced concreteness (thinking the 'creatures' are 'real') and the dogmatic fallacy (thinking that I know what I saw). The most honest answer is that I don't know what I saw (do we ever?), but that the description above is my attempt to communicate some of what I thought I saw. <p>The encounter felt profound, exhilarating, and filled with warmth, excitement and protection. I was not afraid, but was comforted by the experience. <p>... <p>The visible language phenomenon was most interesting -- I felt curious, excited, and peculiarly self-confident while experiencing it -- a childlike delight and a consuming desire to see and know more. I only saw part of what was going on, and I only remember part of what I saw, and I can communicate only a little of what I remember. <p>When, dear reader, you have similar experiences, try to see/perceive as much as you can, remember as much as you are able (take notes or talk into a recorder) and attempt to write down your trip. It is hard to do, the results are always less than you hope, but we must all try to express these things if we are ever to build a descriptive consensus or even a start at understanding!</p> <p> - Edited from <a href="http://www.deoxy.org/gz_visib.htm" target="_blank">http://www.deoxy.org/gz_visib.htm</a> </p> </blockquote> </blockquote> <hr> <table border="0" width="100%"> <tr> <td width="14%"> <p align="left"><a href="../../experience/futurelanguage/index.html#end"><Back</a></td> <td width="19%"> <p align="center"><a href="../../quotes.html">Quotes Menu</a></td> <td width="16%"> <p align="center"><a href="../../menu2.html">Menu 2</a></td> <td width="18%"> <p align="center"><a href="../../home.html">Main Menu</a></td> <td width="18%"> <p align="center"><a href="../../salvia.html">Salvia Menu</a></td> <td width="15%"> <p align="right"><a href="../../contact.html" title="contact details and links to information on salvia prices and availability">Contact</a></td> </tr> </table> </body>